Postmodern. Life on the screen, communication through the kaleidoscope of messengers - and in the cinema as well.
The main character is not an infantile schmo from Generation Z, but the most ordinary guy who learns to make serious responsible decisions. He is a victim of his environment: his parents are the heroes of "Bitter" and friends - "Don't drink, you just drink." But trying to get out of this quagmire: see the books "how to stop drinking" on the desktop and "vacancy auto show Moscow" when moving a girl.
And the main friend, who is a fool, but sacrifices the values dear to the heart of a teenager - naked chicks and a wheelbarrow - to help his friend.
Even the main character - not just a major chicken, but also makes sacrifices for the sake of their relationship - puts up with her mother-in-law, abandons the academy and the future arranged for her.
It's a surprisingly good movie. About love. Behind a bunch of gags and a postmodern clip serve, there are live heroes you empathize with.
So Karimov is not Zhora Gooseberries, although he carefully disguises himself as him.